/usr/bin/python
), and then as you go installing some packages (i.e. on the #AUR if you're on #ArchLinux) which will then install some Python libraries using it, and then you start using something like #Conda or #Miniconda whereby subsequent package installations or updates may be installing these libraries on the Conda environment (i.e. ~/miniconda3/python
) and not the system, so there's some overlap there or so? I'm wondering what's the best way of moving forward from this point - esp since sometime ago, it's no longer possible to raw pip install <package>
anymore for wtv reason.
youtube.com/watch?v=QEJpZjg8Gu…
Algorithms are breaking how we think
This surely won't make me seem like a crank.Further watching:@HGModernism on addiction to scrolling and the Skinner box mechanism:https://www.youtube.com/wat...YouTube
I'll be real with you: this platform needs both better tools for those with large accounts and it needs a culture which isn't quite so trigger-happy to push popular accounts off the platform.
There are frictions here which are very hard to understand for the majority of its users.
Little confused when you say culture that isn't trigger happy to push big creators off the platform.
So from my perspective, I have shared your video in two places and star'd the post.
I don't have optics on any aggressive actions towards you, but I'm also not looking THAT hard. In what ways are people trying to push you off?
I think if you go to his posts he explains what the experience has been on Mastodon:
mas.to/@TechConnectify/1129954…
OK, thank you so much for coining the term "algorithmic complacency", I didn't have those words to articulate this and now I'm really glad I do.
One thing YouTube could do better, but I'm not holding my breath, is to surface the RSS feeds for channels again. They still exist but I think YouTube has an incentive in promoting their algorithm over self-curation via RSS.
@mikebabcock Your prejudice has led you to assume #Apple coined the term “#podcast” to co-opt it.
In fact, the term pre-dates their support. Ben Hammersley coined the term “podcasting” while covering audio #blogging for The Guardian in early February 2004: theguardian.com/media/2004/feb…
It was subsequently adopted by the #RSS audioblogging community, including @adam. Apple only added direct iTunes support in late June 2005.
/ @vkc @TechConnectify
Audible revolution
Online radio is booming thanks to iPods, cheap audio software and weblogs, reports Ben Hammersley.Ben Hammersley (The Guardian)
@TechConnectify@mas.to kWh: (1000 (J/s))/(3600*s)
kWh is almost as ugly as BTU. Please measure energy in Joules, like most of the world does.
"But I've been indulging in some of the alternatives, like Mastodon and, lately, BlueSky... "
Glad I found ya!
I was intrigued that, instead of Technology Connections, the handle here was / is "techconnectify"
I'm tired of the cold making my joints hurt. But most of all I'm sick of Hitler II destroying our country. I'm pulling out with the magical party bus and partying like it's 1999. Picking up @Pawpower, then moving onto get @Skepticat and @PraiseCheese then we're headed East to get @CoachMark.
Hop on since it's a magical bus all is welcome.
1999
Prince
youtu.be/rblt2EtFfC4?si=YiyxfU…
Prince - 1999 (Official Music Video)
Prince's official music video for 1999Listen to your favorite Prince tracks, all in one place: Spotify: https://Prince.lnk.to/SpotifyTopTracks!1999Apple Musi...YouTube
@Pawpower @Skepticat @PraiseCheese @CoachMark
@Pawpower @Skepticat @PraiseCheese @CoachMark
@the_etrain @PraiseCheese
We're going to fight for our right to party on the magical party bus!
youtu.be/eBShN8qT4lk?si=HvsPEj…
Beastie Boys - (You Gotta) Fight For Your Right (To Party) (Official Music Video)
REMASTERED IN HD!Check out the story behind ‘Licensed To III’ here: https://www.udiscovermusic.com/stories/licensed-to-ill-beastie-boys-album/Listen to more ...YouTube
@mooseandriosmom @Pawpower @PraiseCheese @CoachMark
Amazon has started its warehouse shutdown as it exits Québec .
montreal.citynews.ca/2025/02/0…
- - -
Amazon a entamé la fermeture de ses entrepôts afin de quitter le Québec
lapresse.ca/affaires/entrepris…
Amazon starts closing Quebec warehouses as union president calls for boycott
The union that represents workers at what was Canada’s only unionized Amazon warehouse says the online retail giant has begun shutting down its seven facilities in Quebec this week, putting thousands of employees out of work.Cole Fortner (CityNews Montreal)
The Amazon workers’ union is trying to overturn the decision to close their warehouses in the Administrative Labour Tribunal (TAT) and get one year salary as compensation.
toronto.citynews.ca/2025/02/21…
- - -
Le syndicat des travailleurs d’Amaxon essaie de faire annuler la décision de fermer leurs entrepôts devant le Tribunal administratif du Travail (TAT) et d’obtenir un an de salaire en guise de compensation.
lapresse.ca/affaires/entrepris…
Quebec labour group seeks to overturn Amazon decision to close Quebec warehouses
Amazon announced in January that it was closing the warehouses in Quebec, laying off almost 2,000 permanent workers.News Staff (CityNews Toronto)
The first day of hearings in the Amazon warehouse closure case in front of Québec’s Administrative Labour Tribunal (TAT) was today.
thecanadianpressnews.ca/quebec…
- - -
La première journée des audiences dans l’affaire de la fermeture des entrepôts d’Amazon a eu lieu aujourd’hui devant le Tribunal administratif du Travail (TAT) du Québec
lapresse.ca/affaires/entrepris…
Amazon, worker union before Quebec labour tribunal over warehouse closures
MONTREAL - A Quebec labour tribunal has begun hearing a case against Amazon over the e-commerce giant's closure in January of seven warehouses in the province.thecanadianpressnews.ca
your auntifa liza 🇵🇷 🦛 🦦 reshared this.
JavaScript is awesome. You can do so much with it, from adding interactivity and animations to a website, to writing programs and scripts with Node. It's pretty easy to learn (in the scheme of programming languages) and very powerful.
People love to hate on JS. It can be used to track people around the web. It has some technical idiosyncracies (that's gotten a lot better in the last 20 years though). It can make websites slower in some circumstances. For the most part, these are problems caused by bad development practices, which you do not necessarily have to follow.
By no means do you need JS to make great websites, but it absolutely can take them to the next level. Add this powerful tool to your toolbox and learn JavaScript!
@Senna 🌷 When JavaScript started out it was a little more than a few event handlers to add some bells and whistles to your site, and perhaps avoid some round trips to the server by validating forms. It has grown up into a full fledged programming language. I have always enjoyed JavaScript. The few things I wish we had held onto is. No Cross Domain Scripting. This may seem like a huge limitation though it really is not. Cross Domain Scripting is at the heart of what most people hate about the web. Personally, I will not even use a CDN. I simply have no reason to.
Node does make it great, that you can use the same language frontend and backend. Helps in the learning curve for lots of developers. There is a reason why JavaScript is the most popular language in world today. Unfortunately it seems some developers have taken to just gluing together some frameworks and libraries and not bother to learn how to program at all. They have no idea what they are missing.
like this
Senna 🌷, Shannon Prickett, Reg Braithwaite 🍓, Steven Hoefer and Unus Nemo like this.
reshared this
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I want to learn! Do you have any good resources to learn from where I can set up a good foundation for a variety of projects?
I have experience in intermediate C# programming, and have dipped my toes into JS on at least 10 separate occasions. It seems like every javascript library has some sort of idomatic way of doing things and enough syntactic sugar to make it almost a derivative of the lanugage. Typescript is its own can of worms but many of the open source projects I'd like to contribue to use it. I've been told "vanilla javascript" can make it all seem more approachable but practically every project that I want to work on seems to use a library of some kind.
It all seems very mystifying 😩
@crocodisle so I would definitely recommend learning plain JS first, because none of the libraries or frameworks will make sense unless you understand what they are based on 😺 That said, every library has its own special rules, so you'll probably just have to pick one that you are interested in and focus on learning it for a while.
As far as resources for learning JS, it depends on your learning style! Personally I am a hands-on learner, so I like to follow along with tutorials on YouTube, while having a reference text open on the side to look up things I don't understand yet.
YouTube channels I recommend:
- FreeCodeCamp.org ⭐
- Web Dev Simplified
- Programming with Mosh
- Fireship
Sites that have good text-based tutorials:
- FreeCodeCamp.org
- Digital Ocean
- dev.to
Reference texts:
- W3Schools.com ⭐
- developer.Mozilla.org
If you are more of a systematic learner, I definitely recommend the textbook "JavaScript: The Definitive Guide, 7th Edition" ⭐.
I hope this is helpful! Disclaimer, I am more of a beginner-intermediate level JS programmer, with a focus on making web apps and interactive websites. So my recommendations are probably biased in that direction.
Unus Nemo likes this.
@Felix 🐊 @Senna 🌷 Definitely everything that @Senna 🌷 mentioned and I would also recommend JavaScript The Good Part by Douglas Crockford. It is an older book though still relevant and not at all that expensive.
JavaScript The Good Parts @ Thrift Books
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Inaccurate tweets about Ukraine got community noted. Musk is now changing the system.
State media does its thing. gizmodo.com/elon-musk-says-hel…
Elon Musk Says He'll 'Fix' Community Notes on X After It Disagreed With Him
The billionaire has a history of manipulating X to fit his far-right worldview.Matt Novak (Gizmodo)
"Joe Rogan has lost his crown of having the #1 podcast—and his fans are not happy about it.
The Joe Rogan Experience was knocked from its top spot by anti-Trump show The MeidasTouch Podcast, outpacing Rogan by downloads and views last month, according to Podscribe, a podcast ranker."
thedailybeast.com/joe-rogan-re…
Joe Rogan Fans Respond After He Loses Top Podcast Spot
The podcaster’s fans hit back after he lost his #1 ranking to an anti-Trump podcast.Amethyst Martinez (The Daily Beast)
Ken Gahagan likes this.
Ken Gahagan reshared this.
Slept way better last night, thankfully. Still got a hellish sore throat and general lurgi this morning. A blend of paracetamol, ibuprofen, and lemon, ginger, and honey drink seems appropriate!
Thanks, that's so nice.
It's shown all these wild colors for more than 2 hours, and absolutely nothing has reached the ground.
I think it's waiting until we actually have to leave... 😀
Me: “Actually, advertising doesn’t work on me! I’m immune to that nonsense!”
(Sees a gif of E.T. lifting his glowing finger)
Me: (Somehow already driving to the grocery store to buy Reese’s Pieces.)
Unus Nemo likes this.
"The Gainesville Intermediate School was aware Carranza was being bullied and mocked by students who told the young girl she would be left alone when her parents got deported. It had gotten so aggressive, Carranza was meeting with a school counselor multiple times a week. Her family, however, was never notified."
latintimes.com/11-year-old-tex…
11-Year-Old Texas Girl Bullied Over Family's Immigration Status Takes Her Own Life
A sixth grade girl took her life after classmates bullied her over her family's immigration status and threatened to contact ICE to deport her parents.Taylor Odisho (Latin Times)
Unus Nemo reshared this.
yes...
...and honestly I respect that the school counselor left it up to her whether to disclose to her family or not.
now it's beyond irresponsible that these adults in the school didn't do more to stop the aggressing students, didn't confront *their* families about the abuse.
people disclosing harassment, discrimination, personal emotional struggles, should never have that shared without their agreement, to anyone besides the people they *chose* to disclose it to.
Counselors have a duty to protect confidentiality, but also to protect the student. It's possible to anonymize reports of bullying. Failing to act to stop these cases is tantamount to abetting them.
A 6th grader committed suicide, and those bullies will spend the rest of their lives having bullied someone to death. By commission or ommision, every adult failed them.
Other school workers and administrators almost certainly knew this was happening and are probably the ones who set her up with counselor services in the first place, so it wasn't "on" the counselor to "tell" them. (This is, in part, an illustration of how abuse is "erased" by reframing it as a "mental health issue" of the victim.)
Yes every adult in the school failed her. I simply don't see "telling the victim's parents without the victim's consent" as something that could have fixed this.
(What could the parents have done? Anything the parents could have done about the bullies, other adults *also* could have done about the bullies. Other adults in the school could also have a conversation with her about why it might be a good idea to tell her parents - while ultimately trusting her to make that call as the person who knew her family/living situation best.)
It was a complex job, but nothing got to me like cases of harassment: usually sexual harassment, but a few were rooted in gender, race, and ethnicity
I can still see the eyes of every single victim who came ito my office thinking they were alone and powerless.
Last year I found myself needing to have some 10000 pictures automatically tagged.
I found that all existing software either cost a silly amount of money, required a subscription, and/or was cloud based.
So I decided to write an #opensource App running on the local machine, free for everyone to use. Here it is.
It works like a charm with #darktable 😊
(divis.io is the company I work for and has kindly supported me in this endeavour)
GitHub - DIVISIO-AI/stag: An AI based automatic image tagger
An AI based automatic image tagger. Contribute to DIVISIO-AI/stag development by creating an account on GitHub.GitHub
Unus Nemo likes this.
MathJax is installed
Mathjax: $$x = {-b \pm \sqrt{b^2-4ac} \over 2a}.$$
Produces: $$x = {-b \pm \sqrt{b^2-4ac} \over 2a}.$$
BREAKING! #LeonardPeltier Left Prison on Tuesday Morning
By #BrendaNorrell, #CensoredNews, Feb. 18, 2025
"Leonard Peltier will be welcomed home today, and greeted with signs along the roadway and a community feast. 'In The Honor Of' meal will be held at the Sky Dancer Casino Event Center in
#BelcourtNorthDakota, on February 18th, 2025. The meal will start at 6:00 p.m.
'Let's celebrate Leonard with the honor and glory that he deserves,' Peltier's family said.
"'As Leonard arrives on home to the Turtle Mountains, supporters of Leonard's are welcome to come and join the celebration in giving Leonard a warm welcome home by holding signs, honking, cheering and clapping with cars lined up starting from the reservation line coming from Rolla stretching into Belcourt. Please stay safe, no standing on the highway and stay on the shoulder. Please do not leave any signs behind, take them with you.'
"'As Leonard passes through, we are not allowed to follow him, please respect this. Following Leonard's welcome home at the reservation line everyone is welcome to gather for a meal in the honor of Leonard at the Sky Dancer Casino Event Center for stew, bangs and gullet as this is the first meal that Leonard requested for when he returns home.'
"'We do not know yet as of this post of Leonard's restrictions if he will be able to attend the meal.'
"Leonard is an 80-year-old elder with health problems and his first day of being released after nearly 50 years of incarceration will be a lot for Leonard to comprehend. If Leonard cannot attend, we are trying to set up for him to be on FaceTime or a phone call during the meal.'
"'The exact time of Leonard's arrival to Belcourt is still unknown.'
"'Everyone is welcome to come and celebrate this historical day of honoring our elder Leonard Peltier,' Peltier's family said today.
"Please check back for the livestream on Censored News on Tuesday."
bsnorrell.blogspot.com/2025/02…
#LeonardPeltierIsFree #AIM #NativeAmericanNews #NativeAmericanActivist #ReaderSupportedNews
Leonard Peltier Left Prison on Tuesday Morning
Censored News is a service to grassroots Indigenous Peoples engaged in resistance and upholding human rights.bsnorrell.blogspot.com
"Since getting re-elected in Nov., Trump has repeatedly called for Canada to join the US as the 51st state but has said he wants to use economic, not military force, to make that happen"
“After we destroy their economy their will to resist will erode. We will then march in unopposed & deliver Canada to its rightful place as a territory of the U.S. with no political representation.”
-- US right-wing influencer Tim Pool, on X, in a post that got 2.2 mill. views.
The Tyee:
thetyee.ca/News/2025/02/12/Onl…
The Online Warriors Calling for a Violent Invasion of Canada | The Tyee
As Canadian sovereignty is undermined and an election approaches, politicians are calling for an investigation of X.Jen St. Denis (The Tyee)
@Pawpower 🙏thank you.
And we'll try to be angry at your electeds, not you. ❤ Hang in there.
Send good vibes for our upcoming elections 😀 🤞
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Learn More: buff.ly/4324f5u
Job Opportunity: Grants Specialist (Part-Time, 1099 Contract)
As a rapidly growing organization, securing grant funding is pivotal to our mission’s success. We invite you to join us in making a tangible difference.Chris Peterson (Penny Forward)
New year, new big art thread! The place for my almost-daily posts featuring art I love, usually modern and contemporary since that's my thing! First up:
Paintings by American artist Lynne Drexler, 1960s, who studied under Hans Hofmann and Robert Motherwell and was associated with second-gen Abstract Expressionism, but her work was overshadowed by her (then) more successful husband, artist John Hultberg.
Clay sculpture by Senegalese artist Seni Awa Camara, 2000s-20s, known for her multi-tiered human-animal hybrids.
Paintings by American artist and illustrator Ellen Emmet Rand, 1900s-30s, known for her portraits of politicians, creatives, and wealthy society figures.
Sculpture by American artist Cathy Lu, 2020s, whose practice "manipulates traditional Chinese art objects and symbols as a way to deconstruct the assumptions we have about Asian American identity and cultural authenticity."
Landscapes by American artist Eyvind Earle, c 1980s-90s, who was a background and concept artist for Disney in the 50s and 60s, working on films like Peter Pan, Lady and the Tramp, and Sleeping Beauty.
Works by Italian illustrator Cecilia Sammarco, 2020s, who after a spinal cord injury created her "Tetrapride" project to explore disability experience and representation.
Sculpture and installation by American artist Portia Munson, 1990s-2020s, whose work explores environmentalist and feminist themes through masses of consumer objects.
Baskets by Passamaquoddy artist Jeremy Frey, 2020s, who comes from a long line of Native weavers, and whose work combines traditional techniques with contemporary aesthetics.
Mixed media works by American artist Kim Tateo, 2020s, who combines acrylic, blacklight paint, glitter, fabric, neon, and other elements in meditative works exploring "interconnectedness to ourselves, our environment, and the universe".
Scenes from the Civil Rights Movement by American photographer and filmmaker Gordon Parks, 1960s, who shot for Life, Vogue, and Ebony, saying "I chose my camera as a weapon against all the things I dislike about America—poverty, racism, discrimination."
Ink drawings by Palestinian artist and educator Abdelrahman Al Muzain, 2000s, whose activism seeks to preserve Palestinian history and culture, and whose work stresses resistance, liberation, and "sumud" or steadfastness under oppression.
Textile sculptures by Norwegian artist Hanne Friis, 2010s-20s, whose three-dimensional works are made through a folding and sewing technique.
Paintings by Argentinian artist Martha Boto, 1970s-80s, a figure in the Op Art and Kineticism movements whose painting and sculpture explored the interplay of light, color, and shape.
Paintings by Nepalese illustrator and street artist Shraddha Shrestha, 2020s, with imagery that merges Hindu mythology and 90s cartoon styles.
Works by British fashion and performance photographer Ruby Pluhar, 2010s-20s.
Works by Italian trans and interspecies artist Agnes Questionmark, 2020s, whose sculpture, performance, and installations "examine the self's boundaries through genetic experiments, surgical operations, and artificial reproductive processes whereby identity becomes unsettled."
Poster designs by Argentinian artist Edgardo Giménez, 1960s-70s, known for his bright colors and use of photomontage, as well as his self-promotional imagery often boldly referencing his queer identity.
Mixed media works by London-based artist Christina Kimeze, 2020s, who often works on suede mat board to "to explore how texture and luminosity help to investigate themes of interiority, oneness, and belonging."
"Vodunaut" sculptures by Beninese-French artist Emo de Medeiros, 2010s, inspired by Fa, a West African philosophy and geomancy system describing multiple futures, in which cowry shells symbolize a voyage and offer protection.
Works on paper by British artist Linda Wallis, 2020s, who uses automatic drawing techniques to pull forth abstract forms, organic motifs, and general impressions from her unconscious mind.
Works by Hong Kong photographer Nancy Sheung, 1960s, who ran a construction company before turning to photography when she was in her forties, becoming known for her bold images of women and girls, patterns, and architecture.
Mixed media works by Brooklyn-based Puerto Rican artist Nora Maité Nieves, 2020s, whose visual language combines elements from her Caribbean roots as well as her current NYC surroundings.
Drawings from the "Blind Pigs" series by multidisciplinary American artist Edgar Arceneaux, 2010s, whose practice explores connections between historical events and present-day, with subjects often inspired by Detroit, such as these images of burnt-out pubs seen in the city.
Sculpture by multidisciplinary Ugandan artist and writer Acaye Kerunen, 2020s, whose work incorporates natural, locally sourced materials to examine the "intricacies of natural systems and the impact of climate change."
Paintings by British artist and teacher Marion Adnams, 1940s-60s, known for her Surrealist compositions.
Works by Iraqi artist Rafa Nasiri, 1980s, whose early style was influenced by traditional Chinese calligraphy. He later became an influential writer and teacher to a new generation of Iraqi artists, especially printmakers.
Paintings by self-taught Korean Australian artist Haejin Yoo, 2020s, whose "Woman in the Bath" series explores the bathroom as a place of private sanctuary, inspired by her own experience with postpartum depression.
Sculpture by American artist and activist Raphael Montañez Ortiz, 1960s, who was a key figure in the Destruction Art movement, and founded El Museo del Barrio in Harlem in 1969.
Works by American artist Kumasi J Barnett, 2010s, who paints over comic book covers, changing their narratives into satirical critiques of police brutality and systemic racism.
Works by self-taught German Jewish photographer Aenne Biermann, 1920s-30s, who began her practice photographing mineral specimens for a geologist friend and then turned to still lifes, architecture, and double exposure experiments in images influenced by the New Objectivity movement.
Mixed media works by German Ghanaian artist Zohra Opoku, 2020s,whose practice "examines the politics of personal identity formation through historical, cultural, and socio-economic influences, particularly in the context of contemporary Ghana."
Works by American artist Don Suggs, 2010s, painting concentric circle motifs over grayscale photos of national parks, canyons, and natural landmarks, which each color representing different elements of the landscape.
Self-portraits by multidisciplinary American artist and filmmaker Tourmaline, 2020, whose work centers Black queer and trans subjects and histories. This series was inspired by Black-owned pleasure gardens in Lower Manhattan in the 1820s.
Sculpture by American artist Ferne Jacobs, 2000s-10s, whose innovative technique uses coiled and waxed linen thread to build up abstract structures.
Paintings by Iran-born British artist Samira Abbassy, 2020s, whose work explores her Persian-Iranian heritage and traditions as experienced at a distance, having grown up in a Western environment.
Works by Japanese photographer Nayao Hatakeyama, 1990s-2000s, whose imagery explores landscape and cityscapes, and especially human intervention upon the land.
Illustrations by American reporter, screenwriter, and artist Wallace Smith, 1922, made for the novel Fantazius Mallare by Ben Hecht.
Sculptural paintings by Florida-based Puerto Rican artist Steph Blondet, 2020s, combining clay and acrylic paint on wood panel.
Ceramic sculpture by Italian artist Luca Staccioli, 2024, whose "Multifunctional queue eliminator kit (prickly pears)" works are inspired by snail-shaped ticket dispensers used at market counters, the shape repeated and turned into organic cacti-like forms.
Paintings by American artist Stephen Towns, 2020s, whose practice elevates Black American figures often left out of mainstream histories, such as miners, service workers, and prisoners.
Works by Japanese artist Kosen Ohtsubo, 1970s-90s, whose practice pushes the limits of ikebana (the Japanese art of flower arranging).
Paintings by American artist Pat Lipsky, 1970s, who was associated with the Color Field and Lyrical Abstraction movements.
Textile pieces by Canadian artist Zadie Xa, 2010s-20s, whose work "is informed by her experiences within the Korean diaspora, traditional folk tales, and mythology as well as the environmental and cultural context of the Pacific Northwest."
Paintings by Ethiopian-born, Milan-based artist Jem Perucchini, 2020s, whose portraits center Black figures in Renaissance-inspired compositions.
Works by American artist and occultist Marjorie Cameron Parsons (aka Cameron), 1950s-60s, who was introduced to Aleister Crowley's Thelemic religion through her husband, rocket scientist Jack Parsons. She was affiliated with the LA avant-garde, working w/ Curtis Harrington and Kenneth Anger.
Paintings by English artist Clare Woods, 2020s, whose compositions are based on found and personal photographs.
Sculpture by Helen Pashgian, 2000s-20s, who was a member of the Light and Space Movement in the 60s, known for her use of industrial and semi-translucent materials that capture light.
Collages by NYC-based Bahamian artist Tavares Strachen, 2020s, whose "The Encyclopedia of Invisibility" is a research-based project that combines art, science, history, and cultural critique while exploring invisibility, displacement, and loss.
Works by German American photographer Uta Barth, 1990s, whose practice explores the ephemeral qualities of light and its destabilizing effect on vision.
#art #photography BigArtThread
Sculpture by American artist Hugh Hayden, 2010s-20s, whose practice often incorporates salvaged wood into metaphors for the Black American experience, exploring how human interactions with the environment connect to class, race, and identity.
Works by German artist Rudolf Schlichter, 1920s, a member of the New Objectivity movement known for his portraits depicting urban life in Weimar Berlin. In the 30s he was denounced as "Degenerate" by the Nazis, and his studio was destroyed by Allied bombs in 1942.
Works by Puerto Rican NYC (Nuyorican) artist Glendalys Medina, 2020s, who created these abstract works as exercises in gratitude, a practice they started in the early days of the pandemic.
Photos by Slovak artist Jana Šantavá, 2020s, known for her surreal imagery often employing doubles, mirrors, and bold color palettes.
Sculpture by American artist Greer Lankton, 1980s-90s, whose distinctive dolls and installations reflected her own experiences as a trans woman and drug user, along with odes to icons like Candy Darling, Diana Vreeland, and Divine.
Abstract paintings by Walla Walla artist James Lavadour, 2000s-10s, who grew up on the Umatilla Indian Reservation and whose work is inspired by the Blue Mountains and landscapes of Western Oregon.
"Fiori Futuristi" (Futurist Flowers) sculpture by Italian artist Giacomo Balla, 1918-25 (reconstructed in 1968). Balla was a founding member of the Futurist movement, which celebrated industrialization, machinery, speed, and movement, often showing objects from multiple perspectives.
Vessels by Welsh potters James and Tilla Waters, c 2010s, whose collaborative process typically has Tilla designing and coloring and James hand-throwing and forming the pieces.
Works by NY-based Japanese photographer Kunié Sugiura, 1990s, known for her experimental approach to the medium, often incorporating aspects of painting and sculpture.
Drawings by German entomologist, naturalist, and scientific illustrator Maria Sibylla Merian, 1670s-1700s, who published several illustrated volumes about insects and flowers.
Paintings by American artist Karl Wirsum, 1960s-70s, a member of the Hairy Who group of Chicago artists known for their playful sense of humor and often maximalist, colorful styles.
Site-specific installations by Los Angeles-based artist Darel Carey, 2010s, whose abstract tape compositions create geometric optical illusions.
Paintings by Japanese artist Tomona Matsukawa, 2010s-20s, known for her photorealistic depictions of everyday moments and domestic still lifes.
Works by Palestinian artist Kamal Boullata, 1970s-80s, whose imagery often incorporates Kufic script embedded in geometric compositions, with themes relating to displacement and cultural identity.
Paintings by American artist Whitney Bedford, 2020s, who reinterprets European landscapes by artists like Van Gogh, Munch, and Turner.
Photo assemblages by American artist Todd Gray, 2010s-20s, whose photographic practice "aims to provoke reconsiderations of long-accepted norms and beliefs surrounding the medium", exploring themes of African diaspora, colonialism, and societal power structures.
Works by Luxembourgish artist Sali Muller, 2010s-20s, known for her use of reflective materials and light.
Paintings by Serbian artist, illustrator, and poet Milena Pavlović Barili, 1930s-40s, who was associated with the Surrealist movement and became a fashion illustrator and society portrait painter after moving to America in 1939.
Works by American photographer Tyler Mitchell, 2010s-20s, whose imagery seeks "to visualize what a Black utopia looks like or could look like."
Sculpture by London-based French artist Marguerite Humeau, 2010s-20s, whose practice explores evolution, biology, and relationships between humans, animals, and plants.
Fair Park Lagoon landscaping project by American artist Patricia Johanson, 1981-86, who reinvigorated a dying swamp in Dallas into an ecologically rich habitat with indigenous plants and sculptural coral walkways, using art as a form of bioremediation.
Paintings by Brooklyn-based Iranian brothers Saman and Sasan Oskouei, also known as Icy & Sot, 2020s.
Works by Czech photographer Libuše Jarcovjáková, 1970s-80s, who documented life in Czechoslovakia during the repressive "normalization" period, including the queer community.
Paintings by transnational (ethnically Chinese, born in Vietnam, raised in Canada, now based in Britain) artist KV Duong, 2020s, whose acrylic and latex works explore Vietnamese queer identity, migration, and cultural assimilation.
Paintings by Danish Surrealist Rita Kernn-Larsen, 1930s-40s, who was the focus of the first Surrealist exhibition curated by Peggy Guggenheim in London in 1938.
Sculpture and installation by Lingít and Unangax̂ artist Nicholas Galanin, 2010s-20s, whose practice "aims to redress the widespread misappropriation of Indigenous visual culture, the impact of colonialism, as well as collective amnesia."
Paintings by American artist John Sonsini, 2000s-20s, known for his expressive portraits of Latino laborers in California.
Sculpture and installation by NY-based Chinese artist Ming Fay, 1980s-2010s, known for his realistic large-scale fruit and plant forms.
Paintings by American artist Zoe Hawk, 2010s-20s, whose work explores adolescent anxieties and girls' coming-of-age.
Textile works by Iranian artist Alireza Asbahi Sisi (aka "CC"), 2020s, who learned how to sew from his tailor father and works as a taxi driver to support his art.
just realized my last two posts were off-thread, oops.
mastodon.online/@alexxkittle/1…
alex kittle (@alexxkittle@mastodon.online)
Attached: 4 images Works by American artist Mickalene Thomas, 2000s-10s, who often turned to her mother Sandra Bush, a former model, as a muse in her rhinestone-studded paintings and photographic portraits. #art #ContemporaryArt #BigArtThreadMastodon
Works by German artist Hans Bellmer, 1930s, who photographed his own doll constructions in strange, often violent tableaux and was eventually labeled "Degenerate" by the Nazis. He fled to France, joining the Surrealists and the French Resistance.
Woven textiles by Diné artist Melissa Cody, 2010s-20s, whose imagery combines Indigenous motifs, pop culture iconography, and personal experiences.
Paintings by Chinese artist Yu Hong, 2010s, who came of age at the end of the Cultural Revolution, among the "New Generation" of artists in China exploring new modes of creative expression.
Sculpture by Venezuelan American Pop artist Marisol, 1960s, known for her distinctive assemblage figures often incorporating her own image. She would have celebrated a birthday today.
Paintings by English artist Michaela Yearwood-Dan, 2020s, whose large-scale botanical paintings incorporate motifs inspired by Blackness, queerness, femininity, healing rituals, and carnival culture.
Works by Ukrainian photographer Daria Svertilova, 2020s, who documents her people's experiences under war and occupation.
Drawings by self-taught American artist Timothy Wehrle, 2010s-20s, whose dense, intricate compositions pull from a range of visual sources including Persian miniatures, comic books, mandalas, quilting, and the works of Adolph Wölfli.
Paintings by American artist Dorothy Hood, 1970s-80s, who lived in Mexico for 20 years and associated with artists like Frida Kahlo and Diego Rivera, and later became a major figure in the Texas avant-garde.
Sculpture by LA-based Canadian artist David Altmejd, 2010s-20s, whose practice "explores the constitution and disintegration of the self" through a range of materials. The artist says, "A perfect object for me is something that is extremely seductive and extremely repulsive at the same time."
Paintings by Seoul-born, Montréal-based artist GaHee Park, 2020s, whose compositions often incorporate human figures, fruit, and seafood - the latter inspired by her grandma's fish market in Korea.
Paintings by Polish artist Michalina Janoszanka, 1920s, whose "reverse paintings" were made of layers of pigment built up behind a pane of glass, a technique typically used in religious folk art. Sadly, in her time she was more known as the muse and model of symbolist painter Jacek Malczewski.
Photo tableaux by queer American counterculture pioneer Steven Arnold, 1970s-80s, whose films and artworks were known for their maximalist costumes and sets exploring mysticism, psychedelia, sexuality, and gender.
San Francisco gig posters by American artist Wes Wilson, 1960s, known for his swirling typography and psychedelic style influenced by Art Nouveau.
Works by American artist Lisa Oppenheim, 2010s-20s, whose practice "appropriates photographs from diverse sources such as government files and online photographic archives to investigate collective memory, loss, and forgetting."
Works by English artist Sena Shah, 2020s, who composes geometric abstractions with felt and sometimes incorporates mirrored material to create optical lenticular effects.
Drawings by multidisciplinary American artist and activist Andrea Bowers, 2010s, based on photos the artist took documenting political protests in Los Angeles.
Paintings by American artist, curator, and professor Vivian Browne, 1970s, who moved into abstraction after spending time in West Africa in 1971. She was involved in several women's groups and activist movements, advocating for representation for Black woman artists.
Oil on linen paintings by American artist Mary Henderson, 2020s, whose hyperrealistic works capture "impromptu portraits of people in public spaces, seen in unguarded instances of personal connection or synchronicity."
Sculpture by American artist Sommer Roman, 2010s-20s, made with post-consumer textile discards.
Works by multidisciplinary American artist Dindga McCannon, 1970s-2020s, an activist within the Black Arts Movement who fuses fine art forms with traditional craft techniques. In 1971 she co-founded the collective Where We At Black Women Artists, Inc.
Works by American artist Mariah Robertson, 2020s, created using photosensitive papers exposed to various chemicals and exposure processes.
#art AbstractArt #BigArtThread #ContemporaryArt
Works by British photographer Ajamu X, 1990s, whose practice explores gay Black love and desire.
"Fluffy Vases" by Vietnamese-born, Brussels-based textile artist Shishi San, 2020s, who taught herself embroidery and tufting techniques.
Sculpture by American artist Young Joon Kwak, 2010s-20s, whose practice "questions conventional notions of representation and visibility while imagining new ways for racialized, trans, and nonnormative bodies to exist and thrive in spaces that surveil and police them."
When I opened up Lemmy this morning I could not believe my eyes. The top story was a headline from Forbes stating:
« ‘Open Source And Ethical’ TikTok, WhatsApp And Instagram Alternatives Could Transform Social Media ».
The article mostly focused on #Pixelfed and did a fairly good job explaining how #ActivityPub works. But they spelled #Mastodon « Mastadon » over and over again with no links to it. Yikes.
B for the effort, but please editors do better!
forbes.com/sites/esatdedezade/…
‘Open Source And Ethical’ TikTok, WhatsApp And Instagram Alternatives Could Transform Social Media
As major platforms face mounting scrutiny over content moderation and user privacy, a developer's vision for ethical social media draws supportEsat Dedezade (Forbes)
Bookshelves in front of your bookshelves, suspended on barn door hardware with castors at the bottom. The individual shelves can be moved to access those at the back.
Not that I'm trying to give you all ideas, or anything.
Unus Nemo likes this.
If you're going to go to that amount of effort, why restrict movement to one axis?
With an additional set of tracks at 90°, you could have a system where you drag your favourite bookshelf anywhere in the room (in the house?)
@SeaFury @madjo @dunedinmouse
Nooo - Time is a thief like Baggins, and will steal your precious!
Start reading them now, otherwise you may never know important parrot facts like:
"Parrots were used in Moving Pictures to add sound to movies. This failed miserably, in part because the handlemen (cameramen) taught them to say things like "show us your knickers"... and the Discworld wasn't *quite* ready for films like that (yet)."
elenarossini.com/2024/12/intro…
“Think of grief, anger, worry as bricks or planks of wood. Stop staring at the materials, half believing they were delivered to you by mistake, half expecting a truck to haul them away. Accept that these are your materials right now. Start building.”
– Maggie Smith, from her book Keep Moving
I’ve been feeling a lot of grief, anger and worry since the morning of November 6th 2024, when the results of the US presidential election were announced. Never in a million years I would have expected a convicted felon, an openly xenophobic, racist, transphobic misogynist and insurrectionist to be voted by half the country and allowed to ascend – yet again – to the most powerful job in his country. All this aided and abetted by a group of tech billionaires.
Four years is a long time. But it can also go by fast: ask this to any parent of a small child. As they say: the days are long but the years are short.
Instead of wallowing in this grief and anger, I have resolved to make this time – these four years – matter. It makes me feel better and more empowered to set some high goals, so that by January 2029 I could look back and think to myself: I have grown and helped others during these tumultuous four years. I made good use of that time.
Thus, “my so-called sudo life”.
What does “my so-called sudo life” mean?
sudo (short for “superuser do”) is a command on Unix systems that grants “superpowers” to a user, allowing them to execute commands with elevated privileges, like an admin.
This cartoon by xkcd was the first Linux joke I ever got:
I found it apt to name a blog about my new journey of (mostly tech) resistance and empowerment after that command line.
4 Goals for the next 4 years
In the days following November 6th I sketched a plan – for my own self care: set 4 goals for the next 4 years – 2 internal (self-improvement) and two “external” (helping others).
Goal 1: learn Linux, a free, open source operating system to set myself free from Big Tech monopolies. Sub goal no. 1: become so proficient in Linux that I could create a Linux computer, a Linux tablet and a Linux phone for my child (when the time comes, she’s 3 now). Sub goal no.2: become so proficient I can host my own Fediverse instance.
Goal 2: learn a new foreign language. I’m already fully fluent in Italian (my mother tongue), English and French. I love how learning a new language feels energizing and allows you to better understand new cultures. Well, I haven’t officially picked a new language yet. It’s currently a toss-up between Spanish (which I already understand well, because it’s similar to Italian) and Japanese (my favorite country to visit and added bonus: I could interact with people on MissKey). For the challenge aspect I’m leaning towards Japanese… yet I acknowledge Spanish would be a more realistic goal.
Goal 3: start doing presentations in high schools and universities about the Fediverse and FOSS projects, in order to raise awareness about the toxic side of Big Tech and the free, open-source alternatives that already exist and are much better from an ethical / digital sovereignty point of view.
Goal 4: help make the Fediverse a more diverse place, safer and more welcoming for people of color.
The rebellion will be federated
In a previous blog post I wrote:
What do billionaires and kleptocrats want? Uninformed, impulsive citizens driven by emotions (fear, rage, anxiety) instead of critical thinking. This way, they are so much easier to manipulate – for the gains of kleptocrats.
And:
A healthy (in body and mind), active, frugal, sociable, mostly offline citizen who is highly educated and informed, in full control of their data, avoiding Big Tech’s platforms and algorithms, with a positive self-esteem and self-image, is probably persona non grata for [these] tech billionaires.
I found goals that will propel me forward for the next four years – with a sense of hope. And that feels awesome (amidst all this chaos and sorrow).
4 Years
I’m in the unique position of being able to measure time in comparison to a US presidential term: I was heavily pregnant during the January 6th 2021 U.S. Capitol attack; my child was born during the early days of the Biden presidency and will turn 4 after Trump is sworn in as president.
Over the course of 4 years I have seen my tiny human grow, get stronger and develop new intellectual and motor skills. So many skills! I remember when she could barely hold a spoon in her hand. Now she builds impossible structures with LEGOs. She went from being non-verbal and communicating through cries to… speaking two languages fluently. She actually loves correcting my French pronunciation from time to time (“rue” “en dessous”). We figured out she understands a bit of English, too, but keeps that knowledge secret from us.
You can grow and learn so much in four years.
Power
This is my so-called sudo life, where I am giving myself superuser privileges… and I look forward to seeing what kind of person I will be in four year’s time. More than anything, I hope I will be part of a community of like-minded people, working towards the same goals.
This blog – or journal – is for accountability… to keep me motivated on these goals. And to share lessons I learned, hoping to inspire others to take steps towards greater digital sovereignty.
It feels very Wizard of Oz like: “You’ve always had the power my dear, you just had to learn it for yourself.”
We already have so much power. There has never been a better time to take on superuser privileges (with care).
I shared my goals. What will be yours?
Elena
#BigTech #digitalSovereignty #empowerment #floss #foreignLanguages #foss #freedom #Japanese #languages #linux #mySoCalledSudoLife #Spanish
Unus Nemo likes this.
Bhavani Shankar 💭
in reply to Mika • • •Unus Nemo
in reply to Mika • •@Mika Your best bet is to use python3 -m venv. To setup a default virtual environment that you use on your system for scripting your system with:
Invoking
... show morecd
by itself with no arguments will place you in your home directory. The --prompt argument can be whatever you want displayed on your shell prompt to remind you what venv you are currently using. The .default argument is the directory where your venv will be created. The --system-site-packages argument makes your system installed packages available in the venv. The --upgrade-deps argument is optional and is only required the first time you create a venv. It is used to upgrade pip and the main dependencies in the venv when creating it. If you do not use this option you will be notified that pip is out of date and that you should upgrade it which you could do at that time. Using thi@Mika Your best bet is to use python3 -m venv. To setup a default virtual environment that you use on your system for scripting your system with:
Invoking
cd
by itself with no arguments will place you in your home directory. The --prompt argument can be whatever you want displayed on your shell prompt to remind you what venv you are currently using. The .default argument is the directory where your venv will be created. The --system-site-packages argument makes your system installed packages available in the venv. The --upgrade-deps argument is optional and is only required the first time you create a venv. It is used to upgrade pip and the main dependencies in the venv when creating it. If you do not use this option you will be notified that pip is out of date and that you should upgrade it which you could do at that time. Using this argument just saves a step.Then you have to update your .bashrc or .bash_profile to load this venv when you login. When working on a project you should create a venv for that project along with a requirements.txt file for the project. The venv should not be included in your git repo (add an ignore for it).
When the system's python upgrades you will need to:
python -m venv --upgrade --prompt Default .default
Using this approach you will be able to use both system python libraries and pip with no conflict. It will also avoid adding a lot of math and science libraries that you may not actually require. I typically use a Conda env in specific projects were I need the science and math libraries. I do not require them for system scripts so I do not have them in my default venv.
For more information on python -m venv:
Python Venv
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Mika
in reply to Unus Nemo • • •Unus Nemo likes this.
Unus Nemo
in reply to Mika • •@Mika What this really does is allow you to install either from your OS's repo or pip without complications. The caveat is that this has to be done on a per user basis. What you install via pip will not be installed for other users of the system (if you have multiple users) but some would see this as a plus. You install everything that should be for every user (including system users such as apache, etc (though a django (or other python framework) project should have its own venv)) via your OS's repo and those that only you require via pip.
Sometimes you want to install a utility you see on github. It says to use pip. Then you try to install it globally and pip informs you that this would break your system so refuses? This works around that issue. Because it keeps all of your pip installs in your venv and not system wide. So it will not break you system wide installation by requiring different versions of a dependency.
As a rule of thumb, if I can install it via my
... show more@Mika What this really does is allow you to install either from your OS's repo or pip without complications. The caveat is that this has to be done on a per user basis. What you install via pip will not be installed for other users of the system (if you have multiple users) but some would see this as a plus. You install everything that should be for every user (including system users such as apache, etc (though a django (or other python framework) project should have its own venv)) via your OS's repo and those that only you require via pip.
Sometimes you want to install a utility you see on github. It says to use pip. Then you try to install it globally and pip informs you that this would break your system so refuses? This works around that issue. Because it keeps all of your pip installs in your venv and not system wide. So it will not break you system wide installation by requiring different versions of a dependency.
As a rule of thumb, if I can install it via my system's repo, I do. If it is only available via pip, as will be the case on a lot of modules that do not get offered on a distro's repo, then I use pip.
Mika likes this.