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The meme is a form of internet humor, featuring text overlaid on an image. In this case, it includes a statement from NATO about being a defensive organization and names several countries where military interventions have taken place under NATO involvement: Yugoslavia (now Serbia), Afghanistan, Libya, among others. The response below the first part of the meme is profane and dismissive, indicating strong disapproval or frustration with NATO's actions in these regions.

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The text on the image poses a provocative question about historical misconceptions and societal beliefs. It challenges the viewer to consider why witches have been feared throughout history, while those who were historically wrongfully accused of being witches—those responsible for burning them alive—are not given recognition or sympathy.

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The image displays the book covers of two famous dystopian novels. On the left is "Brave New World" by Aldous Huxley, which explores themes of social control and the dehumanization of society through a utopian framework where human reproduction is regulated for population control. The right side shows George Orwell's "1984," known for its portrayal of totalitarianism, censorship, propaganda, surveillance, and reduced freedom in a dystopian future.

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The image contains a quote by Terence McKenna that reads: "Television is by nature the dominator drug par excellence. Control of content, Uniformity of content, Repetability of content make it inevitably a tool of coercion, brainwashing,and manipulation".

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The image features a quote by Bruce Lee, which reads: "Those who are unaware they are walking in darkness will never seek the light".

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This illustration features a mix of characters and elements from popular culture, set against the backdrop of what appears to be an army invasion. The soldiers are depicted as caricatures with exaggerated features, possibly representing some form of commentary on military action or corporate influence rather than literal conflict.

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The image is a tribute to Harry Patch, who was known for his anti-war stance and personal experiences as an infantry soldier during World War I. The quote attributed to him expresses his view on the nature of war, suggesting that it is fundamentally violent and devoid of any beneficial purpose beyond causing harm or death. His statement emphasizes the moral gravity of conflict by equating organized murder with the act of waging war.

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The image depicts a military tank with various logos of well-known companies attached to its rear. These brands include IBM, Marlboro, Heineken, Budweiser, McDonald's, Microsoft, Coca-Cola, Pepsi, AT&T, and the Disney logo among others.

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The individuals are dressed up as characters from a dystopian society, likely inspired by the "Battlestar Galactica" franchise or similar post-apocalyptic themes. Their costumes and makeup suggest they're meant to represent members of a militaristic organization that has embraced a form of genetic modification for survival purposes.

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The image is a black and white woodcut-style illustration that conveys a powerful message through its imagery and text. The top portion of the artwork shows military vehicles, specifically tanks or armored personnel carriers (APCs), which are commonly associated with war efforts. Below these vehicles, two figures appear to be struggling against an unseen force; one is pushing backward while the other seems to be holding something outstretched towards them.

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The image depicts a scene from the video game "Contra: Rogue Corps," which is known for its retro-style graphics and action-packed gameplay. The characters are stylized with exaggerated features typical of 16-bit era games, such as large heads and pronounced muscles. From left to right: - Nada (top) has green hair and wears a purple jacket. - Frank (bottom), in blue overalls, is holding a grenade launcher. - Hada (left bottom) is equipped with an assault rifle.

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The image is a humorous take on the difference between being part of an organization under a boss and leading it as a leader. It uses cartoon figures to illustrate three scenarios: 1. Boss: Depicted pushing a cart with one figure, symbolizing direct control over tasks. 2. Leader: Illustrating individuals pulling together another cart while the leader watches them, implying guidance rather than hands-on management. 3.

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The image features a stylized illustration with three figures, each adorned with distinctive symbols and text. The figure on the left is wearing a jacket labeled "NATCH T.V".

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The image is a meme that juxtaposes two statements regarding accountability for law enforcement. The first statement, attributed to an individual who wants police held accountable by the same standards as every-day citizens, suggests a desire for equal treatment and oversight of police officers compared to ordinary civilians. This implies a level of transparency and scrutiny in how they are handled within legal frameworks.

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This image features a quote attributed to Haile Selassie, who was the Emperor of Ethiopia from 1930 until his abdication in favor of democratic election. The text criticizes historical figures for their passivity and indecision during critical moments when justice could have been served or prevented negative outcomes. This reflects on human reform politics with a focus on positive change.

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The quote overlaid on the image is a poignant reflection from Assata Shakur, which discusses how individuals often become accustomed to their oppression without realizing it. It suggests that as people tolerate their circumstances over time, they may begin to view these conditions as normal, reducing their awareness of being treated unfairly or enslaved by societal structures.

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The image appears to be a screenshot from a video game with a retro, possibly early 1980s style. The text on the screen reads: "IF THE SITUATION WAS HOPELESS" and below that, partially obscured by graphical distortion or intentional alteration for aesthetic effect, is another line of text which seems to say something about propaganda being unnecessary if hopelessness was present in a situation.

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The quote and the associated image presented are a form of visual rhetoric that combines text with imagery to convey a message. The content criticizes what it refers to as "bamboozled" individuals who, after extensive exposure or long-term belief in something without evidence, tend to reject any additional information when provided. Carl Sagan is known for his contributions to science communication and skepticism.

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The quote "Those who choose the lesser evil forget quickly that they chose evil" is a philosophical statement by Hannah Arendt. It suggests that individuals may overlook or dismiss their own unethical choices because of external pressures, such as avoiding greater harm, which can lead them to rationalize actions even when those actions are morally questionable.

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The quote displayed on the image is a historical perspective on war crimes and their consequences. It suggests that despite attempts to disavow these actions through disobedience, they were historically driven by obedience within societies or groups responsible for them. The reference to "most terrible things" like genocide implies severe human rights abuses committed with widespread acceptance in those contexts.

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The image depicts a black t-shirt with white text and graphics. The graphic is of Emma Goldman, rendered as a silhouette that appears to be speaking or shouting. Above the figure are quotes attributed to her: "The most violent element in society" followed by "is ignorance," suggesting a message about social awareness or activism. Below the quote is her name, indicating authorship or inspiration for the statement displayed on the shirt.

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The quote presented is a message on the importance of awareness and action against oppression. It suggests that if people become accustomed to their current state, they may not recognize or challenge it as oppressive until they are actively aware of being slaves. Assata Shakur emphasizes vigilance and consciousness over passivity in addressing social injustices.

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The image contains a quote by Isaac Asimov, set against a dark background. The text is divided into two parts: the first part reads "When stupidity is considered patriotism," and beneath it, the second part states "it is unsafe to be intelligent".

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The image depicts a person engrossed in reading, with the quote "Read more books" attributed to someone who claims not to remember asking it. The monochrome tone and soft focus on the individual suggest an emphasis on the act of reading itself rather than personal identity or specific details about the setting or subject matter being read. This kind of imagery often aims to evoke a sense of nostalgia, introspection, or contemplation regarding literature's role in our lives.

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The image features a quote by Booker T. Washington, an influential African American leader and author from the late 19th to early 20th century. The text is placed on a black background with white lettering for high contrast readability. It reads: "A lie doesn't become truth; wrong doesn't become right; and evil doesn't become good just because it's accepted by a majority".

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The image shows a page from Martin Niemöller's famous poem, "First they came for the," which he wrote in 1946. The text is printed on what appears to be aged paper with speckles and creases indicative of wear or age. The header states that it was originally published by Martin Niemöller.

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The quote by Mark Twain, "God created war so that Americans would learn geography," is a satirical remark on the frequency and impact of wars in American history. It suggests that through warfare, individuals gain practical knowledge about different regions around the world—a form of experiential learning not typically associated with traditional education like studying maps or textbooks.
in reply to Acta Populi

Unus Nemo
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Unus Nemo
•

@Acta Populi

This is particularly humorous when you realize that Samuel Clemens was an atheist.

@Acta Populi

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The quote attributed to Bertrand Russell discusses a historical context where people sought religious consolation during epidemics, particularly the plague. It highlights how large crowds gathered in churches and cathedrals with an intent for divine intervention but also points out that these gatherings were conducive to disease transmission due to inadequate ventilation.

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The illustration depicts a woman reading from a document while standing within the frame of an old-fashioned television screen. The style is reminiscent of classic comic book art, with bold outlines and high-contrast shading that suggests it could be part of a graphic novel or satirical commentary on media representation. Several elements stand out: 1. **Television Frame**: This serves as a framing device to encapsulate the woman's image within its context. 2.

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The poster is for the 1973 science fiction dystopian film "Soylent Green".

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The image appears to be a historical painting depicting the British Parliament during a financial crisis, specifically around 1720. The caption references a debate where bankers were considered for such severe consequences as being sewn into sacks with snakes and dumped in the Thames River—a metaphorical punishment intended to discourage risky behavior among financiers. The scene is rich in period detail: men are dressed in late 18th-century attire, including wigs that signify their status or profession.

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The quote presented is a commentary on the state of media and information control, attributed to George Orwell. It suggests that unpopular ideas are often not discussed or reported due to financial interests within powerful organizations that own most newspapers. This lack of discourse can prevent important facts from being made public without censorship because these entities have an incentive to keep certain topics in obscurity for their benefit.

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The image appears to be a meme that includes two textual sections. The first section contains a quote about the Nixon campaign and presidency, referencing historical events such as the antiwar left, black people, hippies with marijuana and blacks with heroin, and criminalizing these groups, leading up to what could imply actions against certain communities by political figures or their supporters. The second part of the meme is labeled "John Ehrlichman," who was Counsel and Assistant to President Nixon.

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The meme features four figures with their backs turned to the viewer, symbolizing entities such as bankers, pharmaceutical companies, weapons manufacturers, and governments. They hold envelopes labeled "debt," "sickness," "war," and a statement about legality respectively. The text suggests that these groups ensure specific conditions for society: staying in debt, remaining sick, perpetuating war, maintaining secrecy of the truth, legalizing actions regardless of what is known or understood by people.

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The image features a character with an anime-style design, likely intended to be humorous or insightful. The text conveys the message that lacking knowledge of history and historical patterns can lead individuals to believe in conspiracy theories. Specifically, it warns against being susceptible to believing "Empire Propaganda," implying a critique on how ignorance about past events might result in accepting misleading information presented as truth by powerful entities.

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The meme depicts a man with traditional Indigenous Australian attire, including what appears to be an old-style spear and headdress. The text juxtaposes the desire for recognition by Indigenous people against seeking revenge, implying that their pursuit of acknowledgment indicates a civilized nature compared to those who might seek retribution.

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The image shows a needlepoint or cross-stitch artwork depicting three dinosaurs with the text "Oh shit, The economy!" above them. This type of artwork is typically handmade and uses threads on fabric to create detailed images or messages. In this case, it seems to be satirical commentary on economic issues using a humorous approach by anthropomorphizing dinosaurs as if they were concerned about financial matters.

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The text on the image is a quote from Garry Kasparov, which discusses the nature of modern propaganda. It suggests that contemporary propaganda aims not just to mislead or force an agenda but also to deplete critical thinking and destroy truth itself. The checkered background might symbolize chaos or disarray, reinforcing the message about corruption in thought processes due to misinformation.

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The meme uses characters from the animated series "SpongeBob SquarePants" to humorously comment on relationships between voters, politicians, and corporations. In a political context: - Voters are depicted as individuals who may be swayed or influenced by others. - Politicians metaphorically represented as trying to 'plug into' something—here suggested to be the public interest—and thus gain power over it through their influence campaigns or rhetoric.

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The image is a visual representation of historical and moral education, specifically referencing the life story of Anne Frank.

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