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This illustration features a stylized portrayal of Nina Simone, with her iconic blue headwrap adorned with colorful patterns and dangling earrings. The artwork conveys a sense of empowerment and defiance through the subject’s expressive facial features and dynamic pose. The text "I'll tell you What FREEDOM is to me - NO FEAR!" alongside it serves as a powerful statement on freedom from fear, likely reflecting Simone's own experiences and beliefs about civil rights and personal liberation.

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This image is a book cover featuring Noam Chomsky, an American linguist and political activist. The quote on the cover reads: "SEE, PEOPLE WITH POWER UNDERSTAND EXACTLY ONE THING: VIOLENCE" by NOAM CHOMSKY. It suggests that those in positions of authority primarily comprehend or prioritize violence as a means to control others or achieve their objectives. Chomsky is known for his critical views on power dynamics and criticism of the state, often advocating against the use of force without justification.

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The image presents a juxtaposition of two stadiums, likely meant to represent the concept articulated by Juvenal. The left side shows a large stadium filled with spectators at what seems like an American football game or similar sporting event under bright sunlight. This symbolizes 'bread', which historically refers to food and sustenance that people need for basic survival.

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The image displays a quote attributed to George Orwell, which reads: "The people will believe what the media tells them they believe". This phrase is often interpreted as commentary on propaganda and its effects on public opinion. The visual representation includes an outstretched hand holding television screens that are showing different news channels or faces with blank expressions, symbolizing how controlled narratives can shape perceptions of reality by a central authority.

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The meme juxtaposes a historical photo of Adolf Hitler with an essay contest winner from 1944, which is highlighted by the red circle. The intent seems to be satirical or thought-provoking, possibly critiquing how individuals are perceived and remembered based on their actions in history. It raises questions about context versus content when evaluating a person's legacy.

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The image presents a text-based meme contrasting two concepts: science and religion. It states that "SCIENCE" admits it is wrong when its theories fail, while "RELIGION" seeks to prove itself right at any cost by using violence if necessary. This suggests an adversarial relationship between these fields of knowledge or belief systems where one is more willing to acknowledge errors than the other. The meme uses bold white text on a black background for high contrast and readability.

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in reply to Acta Populi

Unus Nemo
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Unus Nemo
•

@Acta Populi

And they believe this is a weakness, when it is actually sciences greatest strength. In order to learn one has to accept what parts we do not have right.

@Acta Populi

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The quote is attributed to Denis Diderot, a French writer and philosopher from the 18th century. It reflects his critical view on the progression of society from fanaticism to barbarism as potentially being very small or insignificant steps apart. The phrase suggests that societal degradation can occur slowly over time with subtle shifts in behavior or beliefs leading down a path towards more extreme conditions.

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The quote is a powerful statement on historical injustice, attributed to Howard Zinn. It suggests that the scale of suffering and loss caused by violence against innocent individuals cannot be fully represented or erased through symbols like flags. The reference to "Another Angry Voice" may imply that the message challenges conventional narratives, often associated with patriotic iconography, thereby inviting a critical reflection on historical events from alternative perspectives.

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The quote depicted is a well-known saying attributed to Noam Chomsky, an American linguist and social critic. It suggests that media control has significant influence over public perception and thought processes. This idea implies the power of mass communication mediums like newspapers, television, radio, or digital platforms in shaping what people believe about their world.

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The quote presented on the left side of the image is attributed to Assata Shakur, an African-American activist who has been a prominent figure in discussions about race and justice. The statement emphasizes her belief that she was granted freedom by standing up against those who oppressed others with moral arguments. This reflects a sentiment often associated with revolutionary movements where personal liberty or civil rights are linked directly to broader social justice causes.

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The quote presented is from Mary Oliver and it discusses the cultural perception of a society where power structures prioritize their own advantage over that of others. It suggests that such societies may be seen as valuing political correctness, superficiality, and material goods more than genuine care for individuals or communities.

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The image displays a cross-stitch pattern with embroidered text and floral decorations. The main message conveyed is an appeal for environmental conservation, including saving bees, planting trees, cleaning seas, and opposing Nazisβ€”a likely reference to anti-fascist sentiment given the historical context of Nazi Germany during World War II. Cross-stitch patterns like this are typically used in needlework projects where threads are counted on a grid or canvas.

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The image features a quote attributed to Robin Sharma, displayed prominently across the center. It reads: "ORDINARY PEOPLE HAVE BIG TVS. EXTRAORDINARY PEOPLE HAVE BIG LIBRARIES".

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The image is a stylized representation of an antique or vintage aesthetic, likely created for educational purposes. It features the famous quote by Charles Dickens which emphasizes critical thinking and reliance on evidence over appearances alone. The portrait appears to be that of Charles Dickens himself, as suggested by his attire and posture, with elements like the mustache and glasses indicating a likeness from historical period illustrations.

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The photograph appears to be a candid moment captured at an event, possibly during the early 20th century given its sepia tone and style of dress. The individual on the left is likely Albert Einstein due to his iconic appearance as described: wild hair, bushy mustache, and glasses, which are all consistent with known portraits of him from that era.

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The quote displayed is a statement attributed to Nathan Rothschild, who was an influential British banker and financier during the 19th century. The text suggests that Rothschild believed himself to have significant control over Britain’s economic policies through his influence on money supply decisions. Nathan Rothschild (c. 1772 – May 8, 1836) is a historical figure known for pioneering stock market speculation and investment banking practices in the early years of what would become modern finance.

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The image features a quote attributed to George Orwell, which discusses the relationship between thought and language. The text reads: "But if thought corrupts language, language can also corrupt thought". This suggests that when our thinking becomes corrupted or manipulated through language, it reflects back on how we perceive reality itself. The source of this quote is credited to izquotes.com at the bottom right corner of the image.

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The quote by Blaise Pascal is a reflection on human nature, suggesting that people are capable of committing evil acts with such enthusiasm when they believe it to be justified by religious principles. This statement critiques the tendency for individuals and societies to engage in harmful actions based on their beliefs or convictions, even if those beliefs lead to unethical behavior.

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The image is a photograph of a newspaper article. The headline reads "Where White Man Went Wrong".

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The image shows a portion of an article or publication where someone, presumably the author or editor, is sharing wisdom learned from Stan Rushworth, who appears to be an indigenous elder. The text highlights two contrasting mindsets: one that believes individuals have rights and another that acknowledges obligations towards past generations.

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The document shown is a letter dated April 10, 1948. It appears to be addressed from Albert Einstein and references the historical context of Palestine and its political situation at that time. The writer seems to express strong views on who should bear responsibility for any future catastrophes in Palestine based on past actions related to British involvement with terrorist organizations.

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The image features a blackboard with an inspirational message written in white chalk. The phrase "Knowledge is Power" is prominently displayed, suggesting that education and understanding are key to gaining influence or control over one's circumstances. This concept has historical significance as it was originally coined by Sir Francis Bacon, emphasizing the transformative power of knowledge throughout history.

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A cartoon depiction shows two ancient Roman gladiators, one in a defensive stance with shield and another wielding a weapon. They are set against an illustration resembling the interior of an arena filled with spectators. Accompanying text criticizes modern societal priorities compared to historical values.

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The graphic displays a monochrome photograph of Carl Sagan, prominently featuring him in professional attire. He is standing at a podium with his right hand raised as if he's making an emphatic point during a speech or presentation. The background is dark and blurred to draw attention to the speaker. Overlaid on this image are white text quotes that read: "Nothing disturbs me more than the glorification of stupidity".

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The image depicts a dense assembly of identical, small cylindrical objects with handles and spouts. They are stacked or arranged closely together in rows and columns across the entirety of the canvas. Each object has a handle on one side, suggesting functionality for pouring liquids. Above each cylinder is a rectangular frame holding an illustration that appears to be labeled "bucket". The background lacks distinct features, allowing

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The picture depicts a news anchor delivering what appears to be his standard closing remarks at the end of a broadcast, often referred to as "the sign-off" in television terminology. The text superimposed on the image is part of this script and serves as an invitation for viewers to contemplate or reflect upon certain ideas that were presumably discussed earlier during the program's airing.

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Russell Brand does not vote because he believes democracy is a farce and represents only powerful elites.

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The Ministry Of Truth - Minitrue, in Newspeak was startlingly different from any other object. It had a glittering structure and white concrete that sparkled on terrace after terrace. From where Winston stood it could be read easily by picking out his face with elegant lettering. The three slogans of the Party: War is Peace Freedom is Slavery Ignorance is Strength

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A black and white ink drawing depicting a writing pen with sharp tines compared to weapons. The text suggests that the choice of weapon depends on one's selection, implying pens can be as powerful as swords. Noted in the bottom right is "Inktober 15". along with a signature resembling 'JG23'.

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The poster for "Idiocracy" presents a man with his arms raised in an expressive gesture against a yellow background. Surrounding him are three figures depicting different stages of human evolution, from ape to modern human, walking towards and away from him on either side. The title is prominently displayed at the top in bold black letters outlined by red dashes, indicating emphasis or urgency. Below it, additional text explains that this film started as a comedy but has become more serious over time.

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The visual presents a piece of artwork depicting medieval figures, with overlaid text that reads: "Evil preaches tolerance until it is dominant, then it tries to silence good". – Archbishop Charles J. Chaput This textual quote serves as an illustrative commentary on the depicted scene and may be intended for philosophical or moral reflection.

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The picture shows a quote against an orange background. It reads, "The Third World is not poor. You don't go to poor countries to make money. Most countries are rich. Only the people are poor. Ordinary people pay the costs of empire. These countries aren't underdeveloped; they're overexploited". A man with glasses and a mustache appears on the right, wearing dark clothing which blends in with this background.

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A close up shot shows a yellow sign that reads "POLICE EVERYWHERE, JUSTICE NOWHERE". It appears to be on pavement. A black silhouette is painted in the middle. The edges are chipped and it looks weathered.

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The Statue of Liberty with a quote that says "Everything faded into mist. The past was erased, the erasure was forgotten, the lie became truth". - GEORGE ORWELL ,1984 on top and bottom respectively.".

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A man in a cowboy hat holds his lasso as Will Rogers quotes him.

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A book cover titled 'Who Paid The Piper?: The CIA and the Cultural Cold War.' by Frances Stonor Saunders. It features a photo collage with three men sitting at an outdoor table, one appears to be eating or drinking while two others are engaged in conversation; they all seem serious and contemplative. Inset on top is another image of people gathered around what looks like a lecture hall setting, featuring the author's name 'Frances Stonor Saunders.'.

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A promotional poster for a movie titled "They Still Live" showing an armed man looking at someone.

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A man with glasses is shown on a poster that says, "What if I told you" Your beliefs don't make you a free thinker. The ability to change your beliefs based on new information does".

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A simplistic black and white cartoon representation depicts a large, vertically striped trash bin. Inside it is an assortment of items: some discarded food remnants, possibly including noodles or rice given their elongated shape; another piece appears to be clothing, perhaps jeans based on its dark color and visible seams. Two distinct chopsticks protrude from the contents within the bin's uppermost layer, indicating a possible cultural context for this waste disposal image.
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